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The right of entry floorplan connects a large blooming reveal w soaring ceilings & custom floor-to-ceiling brick fireplace, gourmet kitchen behind large middle island, SS appliances, gas cooktop & expansive breakfast area; every overlooking terrible COMMUNITYSERVICES DIRECTORY: Chamber of Commerce: 760-346-6111 : Employment Development Dpt. 800-300-5616: City of Palm Desert: 760-346-0611 : Family YMCA of the Desert DiscoverRidgeGate, a thriving mixed use master planned community located in the heart of Lone Tree, Colorado in South Metro Denver. This dynamic new construction community blends urban and natural spaces, with neighborhoods, businesses, medical facilities, restaurants, and retail centers nestled among more than 1,000 acres of parks, trails 3bedroom house at 8 Lyric Close, Murray Bridge SA 5253 sold on Mar 9, 2022. View 12 photos, schools and neighbourhood info on Homely. poster tentang dampak siklus air bagi kehidupan. Kanisha Feliciano plays Maria opposite Ryan McCartan as Tony in Lyric Opera’s “West Side Story.”© Todd Rosenberg Photography Conglomerations of talent don’t always guarantee success in show business, but it absolutely did in the case of “West Side Story.”Four of the great creative minds of the 20th century — composer Leonard Bernstein, lyricist Stephen Sondheim, choreographer Jerome Robbins and playwright Arthur Laurents — came together to conceive a transformative, of-the-moment Broadway musical that opened in 1957 to enormous 2019, Lyric Opera of Chicago presented a new staging of this enduring masterpiece, a co-production with the Houston Grand Opera and Glimmerglass Festival in Cooperstown, New York. It returned to that production Friday evening, opening a super-charged and touching revival. Lyric Opera of Chicago — West Side Story’ With a 49-member cast and chorus, a 43-member pit orchestra and the massive expanse of the Lyric Opera House stage, it is the kind of large-scale treatment of this musical that only an opera company could muster. And it’s one that makes sense given the show’s sprawling setting on the streets of New York City. “West Side Story” transports Shakespeare’s “Romeo and Juliet” to New York’s Upper West Side of the 1950s, with the Montague and Capulet families replaced by warring street gangs of diverse ethnicities, in this case, the Sharks and the Jets. The set of Lyric Opera of Chicago’s “West Side Story” hews to a 1950s New York look. © Todd Rosenberg Photography Although elements of this musical, including its treatment of ethnic differences, don’t always square with today’s cultural sensitivities, stage director Francesca Zambello and Lyric’s artistic leaders wisely chose to hew to the original text with virtually no musical is inevitably a product of its time, but it also defiantly transcends that time. Indeed, its exploration of violence, poverty and ethnic strife still seems powerfully relevant in a society still struggling to overcome these persistent doubt to try to stress this continuing relevance, Zambello chose to subtly update this production to more or less present day. The move is only telegraphed by Jessica Jahn’s costumes, which include one character, for example, wearing a Patrick Ewing New York Knicks tank top. It’s a puzzling decision because the time change is at odds, for example, with references in the musical to “rumbles,” a term for street fights now long out of date. Peter J. Davison’s striking, ambitious set, however, hews to a 1950s New York look, with its angled, three-story building facades on the sides of the stage and its silhouettes of Manhattan’s once-ubiquitous rooftop water towers at the rear — all accented by Mark McCullough’s handsome though, Zambello does not make any big interpretative statements here. She simply chooses to showcase the innate power of this musical with a vibrant, propulsive staging and careful attention to shaping the characters. Also deserving note is Joshua Bergasse, who masterfully reproduces Robbins’ extraordinary jutting and jousting, snapping and strutting choreography that plays such an integral role in telling this story. Yurel Echezarreta left, as Bernardo and Amanda Castro as Anita with the company of Lyric Opera’s “West Side Story.”© Todd Rosenberg Photography This musical requires performers who are “triple threats” as actors, singers and dancers, and Lyric Opera assembled an absolutely first-rate cast led by Broadway’s Ryan McCartan in his Lyric debut. He shows real star power as Tony, a member of the Jets who tries and tragically fails to stop the cycle of gang violence. This fresh-faced performer has a wonderfully natural voice that he used Friday night to uplifting effect in “Maria,” Tony’s proclamation of newfound and ultimately star-crossed love — drawing an extended, well-deserved ovation. He is nicely matched by Kanisha Feliciano as Maria, a vibrant performer with a pure, clarion voice. Together they are completely convincing as young, blindly idealistic lovers. One of the musical’s showiest roles is that of Anita Amanda Castro, the girlfriend of Maria’s brother, Bernardo Yurel Echezaretta, in his Lyric debut, the leader of the Sharks. Castro makes the most of it with her high-energy, acrobatic dancing and big, brash singing style. Other standouts include Brett Thiele as Riff, the leader of the Jets, and Nathan Keen, who aptly conveys the quick-temper edginess of Action, a member of the Jets who shines in the dark-humored song, “Gee, Officer Krupke.”The singers are solidly backed by conductor James Lowe, who clearly knows his way around this score. He never allows the show’s all-important drive and momentum to flag, and he makes sure the Lyric pit orchestra gives rich, energetic voice to Bernstein’s jazzy, driving score. Dancers perform in “West Side Story” at the Lyric Opera Rosenberg There are still some people who question opera houses presenting musicals, but such views wrongly downgrade the value of such works and misunderstand the contemporary role of such companies as guardians and presenters of high-quality music theater of whatever kind. As this production makes vividly clear, “West Side Story” is as musically substantive and theatrically compelling as any American opera, and it deserves to have a place on the opera stage just as it does on the Great White Way. Oh Lord I love you so Never want to let you go You are always by my side You always fill me up inside Never turn my back on you Faith in Christ will see me through I can't wait to leave this place I can't wait to see your face Oh, Lord I want to go home Oh Lord I love you soYa Tuhan, aku sangat mencintaimuNever want to let you goJangan pernah membiarkan Anda pergiYou are always by my sideAnda selalu berada di sisi sayaYou always fill me up insideAnda selalu mengisi saya di dalamNever turn my back on youJangan pernah membelakangi AndaFaith in Christ will see me throughIman kepada Kristus akan melihat saya melaluiI can’t wait to leave this placeSaya tidak sabar untuk meninggalkan tempat iniI can’t wait to see your faceSaya tidak sabar untuk melihat wajah AndaOh, Lord I want to go homeOh, Tuhan, aku ingin pulang X TIPS PENCARIAN LIRIK FAVORIT ANDA ANDA MENGETAHUI JUDUL DAN NAMA PENYANYI Ketikkan nama penyanyi dan judul lagu, berikan tanda kutip di judul lagu, misal Yovie "Menjaga Hati"; bila tidak berhasil, coba untuk mengilangkan tanda kutip, misal Yovie Menjaga Hati; atau dapat juga dengan mengeklik menu A B C D.., lalu cari berdasarkan nama artis. Yovie dimulai dengan Y, klik Y. Lihat daftar lagu, dan dapatkan yang Anda cari. ANDA TAK MENGETAHUI JUDUL LAGU, TAPI MENGETAHUI NAMA PENYANYI Ketik nama penyanyi, misal YOVIE, akan muncul banyak halaman, telusuri dan pilih dari halaman-halaman tersebut; atau klik menu A B C D E ... berdasarkan nama artis Y, cari Yovie, dan cari lirik yang Anda cari. ANDA TAK MENGETAHUI JUDUL LAGU, TAPI MENGETAHUI SYAIR Ketikkan penggalan syair yang Anda ketahui, misal Tanpamu tiada berarti Tak mampu lagi berdiri Cahaya kasihmu menuntunku Kembali dalam dekapan tanganmu Masukkan kata-kata penting. Misal tiada berarti berdiri cahaya dekapan. Hindari kata-kata yang berkemungkinan memiliki ada dua versi atau lebih. Misal tanpamu dapat ditulis tanpa mu. TETAP TIDAK DAPAT MENEMUKAN LIRIK YANG ANDA CARI Pilih menu A B C D E ... berdasarkan nama artis atau judul lagu. Bila masih tidak dapat menemukan lirik yang Anda cari, mungkin kami bisa membantu Anda. Silakan menghubungi kami. Oh Lord I love you soNever want to let you goYou are always by my sideYou always fill me up insideNever turn my back on youFaith in Christ will see me throughI can't wait to leave this placeI can't wait to see your faceOh, Lord I want to go home

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